Work With Us

For ten years we’ve brought innovative ways to presenting musicals that change lives. We rely on the talents of many artists and administrative staff, to create powerful and beautiful works of theatre at RTC. A variety of skills and roles are needed, and we offer part-time and contracted opportunities.

Revival Theatre Company is an Equal Opportunity Employer who celebrates diversity and does not discriminate based on race, religion, color, national origin, sex, sexual orientation, age, veteran status, disability status, or any other applicable characteristics protected by law.

Please send your resume with references to Executive and Artistic Director, Brian Glick at bglick@revivaltheatrecompany.com. No phone calls, please.

Sound Designer for La Cage aux Folles
Revival Theatre Company (RTC) is seeking a sound designer for its next show La Cage aux Folles.

The sound designer is responsible for creating and managing all the sounds including music, sound effects, actors mics, orchestra mics. monitors, and the overall atmosphere of a production, working with the director, music director and other designers to enhance the storytelling and audience experience.

RTC ensures the highest experience in sound design for its artists and audience. An attentive, positive and supportive individual is key to designing for RTC.

Key Responsibilities:

Collaborating with the creative team:
Work closely with the director, other designers, and the actors to ensure the sound design supports the production’s vision and enhances the storytelling. Someone who goes the extra mile to make sure the details of the sound are at its highest level.

Choosing and creating sound elements:
This may involve selecting pre-recorded music or sound effects, recording original sound effects, and manipulating sounds digitally.

Designing and setting up the sound system:
The sound designer is responsible for the technical aspects of sound, including choosing the right equipment, setting up the sound system, and ensuring it functions properly. RTC does have sound equipment. The Designer is not responsible for bringing that in.

Ensuring clarity and quality:
Ensure that the actors’ voices and any music or sound effects are clear and of high quality for the audience.

Creating immersive experiences:
Sound designers aim to create an immersive and engaging experience for the audience through the use of sound, helping them visualize the setting, time period, and mood of the musical.

Technical aspects:
They also deal with the technical aspects of sound, including microphone placement, sound levels, and mixing.

Other responsibilities:

Making sure actor mic batteries are charged and mics are tested and ready to go.

Reading and understanding the musical and knowing when to cue actors’ mics.

Making sure the orchestra is set up and ready for their first rehearsal.

Learning the CSPS Hall house system so the pre-show, during show, and post show needs are met.

An individual who can handle working in a high pressure, fast-paced environment at times and meet the needs of the team effectively and efficiently.

Pay for this gig: $2500
Start date: immediately
Load-in: May 21
Sitzprobe: May 25
Tech: May 26 & 27
Dress: 28 & 29
Performances: May 30, 31, June 1- 5, 6, 7, 8
Load-out: June 8-9.

Technical Director for La Cage aux Folles
Revival Theatre Company (RTC) is seeking a Technical Director (Scenery Builder) for its next show La Cage aux Folles.

The Technical Director (T.D.) is the lead craftsperson who constructs the physical sets for our theatre productions, working under the direction of a scenic designer and the director.

Role:
The Technical Director is responsible for bringing the scenic designer’s vision to life by building and assembling the physical elements of the stage setting, including walls, floors, platforms, furniture, and other items that create the environment for the musical.

Collaboration:
They work closely with the scenic designer, director and other members of the production team to ensure that the sets are built according to the design specifications and meet the needs of the production.

Skills:
The Technical Director requires a range of skills, including carpentry, woodworking, and an understanding of stage mechanics and safety.

Scene Shop:
The Technical Director often works in a scene shop prepping all material for load in. 90% of the build happens in the scene shop. RTC uses guest spaces to build its sets.

Schedule and Budget:
The Technical Director knows how to follow a tight schedule, ensuring the building is done to specifications, stays on track and on budget.

Load in and load out:
The Technical Director is responsible for load in and working with a crew of carpenters to ensure the set gets into the theatre effectively and efficiently. They’re also responsible for striking the set and either throwing out items or taking them to RTC storage.

Pay for this gig: $2000
Start Date: immediately
Load-in: May 18
Tech: May 26 & 27
Dress: 28 & 29
Performances: May 30, 31, June 1- 5, 6, 7, 8
Strike: June 8 and 9

Revival Theatre Company

Brian Glick

Building Hours